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Halloween Zombie Movies
By admin | October 31, 2007
Happy Halloween!
Do you like zombie movies? Of course you do. What’s Halloween without a bunch of zombies running around tearing the guts out of innocent people and scaring the bejesus out of us? Here in random order is a list of some of the top Zombie movies that can tear the guts out of your TV this holiday. Enjoy them and have a great Zombie Halloween!
Dead Alive (1993): If you’re not a connoisseur of graphic horror and gruesome gore, you’d better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you’re sure to appreciate Jackson’s gleefully inventive approach to a story that can judiciously be described as sick, twisted, and totally outrageous. The movie’s central character is a poor schmuck named Lionel who’s practically enslaved to his domineering mother. But when ol’ Mum gets bitten by a rare and poisonous rat monkey from Skull Island and is turned into a flesh-eating zombie, Lionel has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies.
Day of the Dead (1985):Chapter three of George Romero’s mighty zombie trilogy has big footsteps to follow. Night of the Living Dead was a classic that revitalized a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks–and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero’s customary social satire and cinematic vigor–when a “retrained” zombie responds to the “Ode to Joy,” the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini’s makeup effects could make even hardcore gore fans tear off their own heads in amazement. –Robert Horton
Evil Dead (1983): In the fall of 1979, Sam Raimi and his merry band headed into the woods of rural Tennessee to make a movie. They emerged with a roller coaster of a film packed with shocks, gore, and wild humor, a film that remains a benchmark for the genre. Ash (cult favorite Bruce Campbell) and four friends arrive at a backwoods cabin for a vacation, where they find a tape recorder containing incantations from an ancient book of the dead. When they play the tape, evil forces are unleashed, and one by one the friends are possessed. Wouldn’t you know it, the only way to kill a “deadite” is by total bodily dismemberment, and soon the blood starts to fly. Raimi injects tremendous energy into this simple plot, using the claustrophobic set, disorienting camera angles, and even the graininess of the film stock itself to create an atmosphere of dread, punctuated by a relentless series of jump-out-of-your-seat shocks. The Evil Dead lacks the more highly developed sense of the absurd that distinguish later entries in the series–Evil Dead 2 and Army of Darkness–but it is still much more than a gore movie. It marks the appearance of one of the most original and visually exciting directors of his generation, and it stands as a monument to the triumph of imagination over budget. –Simon Leake
Night of the Living Dead (1968): We can hardly imagine how shocking this film was when it first broke into the film scene in 1968. There’s never been anything quite like it again, though there have been numerous pale imitations. Part of the terror lies in the fact that it is shot in such a raw and unadorned fashion that it feels like a home movie, and is all the more authentic because of that. It draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we hardly could have anticipated. The story is simple: Radiation from a fallen satellite has caused the dead to walk, and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse who are trying to fend off the inevitable onslaught of the dead. The tension between the members of this unstable, makeshift community drives the film. Night of the Living Dead establishes savagery as a necessary condition of life. Marked by fatality and a grim humor, the film gnaws through to the bone, then proceeds on to the marrow. –Jim Gay
Land of the Dead (2005): Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero’s zombie cycle (and the first since 1985’s Day of the Dead) presents a logical progression of events since 1968’s horror classic Night of the Living Dead: Zombies (also known as “stenches” for their rotting odor) are the dominant population, and they’ve begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker’s scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero’s earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero’s plot isn’t as inventive as it could’ve been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. –Jeff Shannon
Shaun of the Dead (2004): British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they’re trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation–New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. –Bret Fetzer
The Return of the Living Dead (1985): “Do ya wanna party?” challenges the soundtrack to this freaky and funny reworking of George Romero’s Night of the Living Dead. Paced to the beat of a pounding rock score, this comic flesh feast delivers both laughs and outlandish gore. No longer lumbering, moaning creatures, these lithe, feral, and cunning undead claw their way out of the cemetery and into the skulls of a human smorgasbord. They even master the art of home delivery: “Send more cops,” croaks a corpse into a patrol car radio. Director Dan O’Bannon even takes pains to explain their motivation between the tributes to the granddaddy of zombie horrors (”Well, it worked in the movie!” screams James Karen when a pickax to the skull hardly phases a lively cadaver). Not that it really matters amid the gore and gallows humor, but it does add a kick to the cynically sinister climax. –Sean Axmaker
Dawn of the Dead (1979): George Romero’s 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewelry shops, making gourmet meals, etc. It is Romero’s take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done, and even some of Romero’s best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. –Tom Keogh
Planet Terror - Extended and Unrated (2007): (Horror) A fun zombie film that busts at the seams with gross special effects, amazing action, and deliciously over-the-top moments, as gun-legged Cherry Darling and one man wrecking crew El Wray try to save the world from a horde of flesh-eating zombies.
Re-Animator (1985): Stuart Gordon’s adaptation of H.P. Lovecraft’s Herbert West: Re-Animator puts a Night of the Living Dead spin on the classic Frankenstein story. Jeffrey Combs furrows his brow and bugs his eyes as the preternaturally intense Herbert West, a maverick medical student whose gory, gooey experiments cause bloody corpses and body parts to jerk to life. Bruce Abbot is the studious roommate drawn into his extracurricular experiments, which soon involve the dean’s daughter (the frequently naked Barbara Crampton) and the college’s cadaverous, calculating star professor (David Gale), who literally loses his head over a battle for West’s discovery. In this world, that’s only a minor setback. Charged with sick gallows humor and a ghoulish gallery of undead beasties, Re-Animator, like Evil Dead II, is one of the most inspired and inventive–and funniest–horror films of the 1980s. Combs, Abbot, and Gale reunite for the almost-as-entertaining sequel Bride of Re-Animator. –Sean Axmaker
Topics: Reviews, Movies, Works by Trent |
December 12th, 2007 at 11:57 am
The year the great seventh number (2007)is accomplished(2008),
-(probably this will happen in 2008.)
Appearing at the time of the games of slaughter:
Not far from the age of the great millennium(year 2000 or so on),
When the dead will come out of their graves.
Century 10, Quatrain 74